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Photo by
Michael Shedlock

 


Looking for
a Blowout?

Some of the more astounding ones are in Indiana Dunes State Park, a two-mile hike east from the park's beach house.

 

 

Fall 2003

An Indiana Dunes Blowout:
Amphitheater for an Ecological Drama

Some say that of all the magical locations in the Indiana Dunes, the most marvelous are the "blowouts." In these amphitheater-shaped arenas, the wind has carved away the dunes, exposing solemn stands of long-dead trees, dramatic records of what nature has wrought and will do again. What happened once upon a time and will continue to occur on the grounds of these tree cemeteries is akin to the rise and fall of empires.

One such massive blowout, rich with subtle beauty, lies set back from Lake Michigan at the far east end of the Indiana Dunes State Park, distinctly away from the crowds. Attend here with due reverence the continuous memorial of past performance and building orchestration of natural forces. Let your mind and heart applaud this blowout — its rushing, whirling winds that impatiently await a more dramatic script.

This spot is not a personal discovery. Rather, I was sent here by J. Ronald and Joan Engel, two nearby residents who are eloquent writers and dedicated Dunes' environmentalists. Of all the choice hidden places in the region, this is the site they jointly selected for me to experience the unique beauty of the Dunes area. I found it by walking along the beach and looking for a clump of four cottonwoods on the foredune, the sand ridge that separates the lake and the dunes.

The pleasant walk along the beach did not leave the bustling world behind entirely. The flotsam left by disrespectful lake users cluttered the beach even along this rather isolated stretch. In the distant west, furthermore, loomed the Bethlehem Steel plant. To the east stood Michigan City's power plant.

 

A blowout? In Reading the Landscape, May Thielgaard Watts describes the wind blowing sand into successively higher dune walls, with hardy plants holding each in place. The wind eventually finds a weak spot in these walls to carve out the blowout bowl. Illustration from Reading the Landscape of America by May Thielgaard Watts, used by permission of Nature Study Guild Publishers.


 

Trudging to the top of the foredune, however, I put all this away and took in the full view of the blowout, the scene of one of nature's most artful pageants. The performance built slowly as I picked up subtle messages from the landscape. Blades of marram grass, scattered across the back of the beach and all of the foredune, offered the first act of the drama. A foot or more tall, these clumps dug desperately into the soil and stood against the wind, evoking the struggle for the beginning of life itself.

Here, they are the beginning of life. The success of these wispy blades of grass is crucial to a subsequent series of plants — from bluestem grass, puccoon flowers, and milkweed plants to oak and hickory trees — that will one day be able to grow in soil created by these pioneering grasses.

Possibly no other place in the world demonstrates the basic theory of vegetative development known in botany as plant succession better than such a blowout. After all, it was here at the Indiana Dunes in 1899 that University of Chicago biology professor Henry C. Cowles formulated the concept. According to Ron Engel, the work of Cowles and other U of C professors such as Victor Shelford and W. C. Allee earned the Indiana Dunes the nickname "birthplace of ecology."

As I walked into this blowout, I passed one species of plant life after another. But the several prickly pear cactus plants I noticed underfoot astounded me. Nesting unpretentiously under the bluestem grasses, these plants were as distinctly and obviously cacti as are the varieties that grow throughout the deserts of the Southwest and Mexico. Yet, they are prospering only two hundred yards from Lake Michigan in sand that is buried by snow in the winter and peppered by rainstorms throughout the rest of the year.

 
  The puccoon plant finds hospitable ground in which to grow, thanks to marram grass that first held the line in the windy dune landscape. Photo by Carol Freeman.

My short journey into the blowout — just two to three times the length of a football field — reached a dramatic climax as I neared a rustling, 20-foot oak and several cottonwoods three times that tall. Scattered on the ground in the shadow of the cottonwoods lay the trunks of decaying trees, long-dead. Like slain soldiers after a battle, these once held the front lines in the epic saga that occurred here. They helped create these dunes and surrendered their lives in the process.

These cottonwoods, when alive and growing, could seize and hold the earth. Their fallen leaves helped fertilize the soil for other plant life while their roots held the land fast against the wind. Around the cottonwoods, a dune began to form and grew broader and taller. The piling sand, however, started to bury the trees, killing them before it reached their tops. With the dead trees no longer holding the dune, the insistent wind inevitably had its way, gouging a blowout through the sand and wiping the slate clean for a new generation of pioneer plants.

Just to the west, in an early-stage blowout, someone had taken a dead tree trunk, affixed it to a standing one and created a huge cross. A blowout, however, needs no such symbols — it speaks in plain detail of continuing life cycles.

This blowout is an arena, a place to be a spectator. Its dune walls stand higher than I expected, its length greater, and its view of Lake Michigan more dramatic. I climbed an adjacent dune to look down on the spectacle, to comprehend the whole. Hickory, oak, and cottonwood trees shared the overlook with me. I could picture Professor Cowles one hundred years ago sitting on this slope to study the change in the plants almost foot by foot into the blowout. He would have witnessed the same slow performance I was now watching: patches of marram grass, bluestem, cacti and puccoon flowers, as well as new cottonwood trees and baby oaks, all preparing the land for a return engagement between dune sand and relentless wind.


Kenan Heise, author of Chicago The Beautiful: A City Reborn (Bonus Books, 2001), is a retired reporter for the Chicago Tribune, an author, poet, and playwright. His avocation is learning to appreciate and enjoy nature throughout Chicago Wilderness.

 


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